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I'm a big believer in filtering - especially in the low end of mixes. That is one of the great things about this EQ - you can get many different sounds with it. In the left-side example, I inserted a Type 2 EQ on a timpani drum, with a soft filter at 62 Hz and a slight boost at 134 Hz. In the right-side example, I just switched the EQ to Type 4. In the above screen shots, you can see the dramatic difference in the overall EQ curve between the Type 2 and Type 4 EQs. I've found that Types 3 and 4 work best on vocals and stringed instruments, with Type 2 being the most useful on transient sounds like drums and percussion. Type 4 provides a wide Q with Gain and is quite smooth-sounding.Īs you might guess, the easiest thing to do is try them all on a per track basis, since every sound has its own sonic requirement.
#SONNOX OXFORD EQ FORMERLY SONY OXFORD SERIES#
Type 3 has the Q reducing with gain and is subtler than the others, similar to that on certain Neve and SSL G Series boards. Type 2 actually features a different Q depending if you're cutting or boosting, with the cut retaining a constant Q. The Type 1 setting of the Oxford EQ has a relatively high Q regardless of gain boost or cut, and is said to sound most like the SSL 4000 EQ. This has the effect of reducing perceived harshness, while sweetening the overall sound. Q controls allow an amount of “undershoot” to be dialed in for boost settings, and overshoot when a shelf is used in cut settings.Īs an example, when applying a HF shelf, adding Q will cause the midrange just below the shelf to be cut, while simultaneously increasing the slope of the rise to the shelf. The differences between the types are found within the curve characteristics of the bell settings their shelving curves are identical. Q dependency, which translates to more sonic options. Additionally, the cut filters can be used without the EQ.Īccessible through the + or - buttons, the various EQ types (1 - 4) differ in their Gain vs. Each EQ type can be used alone or in conjunction with the cut filters. Many people don't realize that there are four different types of EQ within the Oxford EQ, and each EQ type has unique sonic characteristics.
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You can also change the scale and look of the EQ graph, or, if you find the graph is too easily influencing your mixing decisions, turn the graph off completely by switching on the “Ears Only” mode.
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By toggling “Always Display Numeric Values,” you can choose to keep the values displayed permanently onscreen, or just when the mouse rolls over the setting.
#SONNOX OXFORD EQ FORMERLY SONY OXFORD FULL#
You can decide how long the Over light should be lit when a full level sample is detected. Display Controls of the Oxford EQįirst, note that by clicking on the Sonnox button - just above the EQ Graphics - a box opens allowing you to customize various settings of the Oxford EQ Plug-In. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log Inĭisplay controls of the Sonnox Oxford EQ. Thunderbolt 2 Option Card Thunderbolt 2 Option Card